ConnieLene – KnitDesigner

Just now it is not easy to find something to tell you about.

Maybe this is called Writer’s Block
Maybe it is called Designer’s Block
Maybe it is called Knitter’s Block
Maybe it is Ball Withdrawal Block
Maybe it is just called Blockety Block

Whatever it should be called in my case – I do believe I have a big case of whatever it is just now.

I am knitting – slowly.
I am thinking about new designs all the time – but slowly.
I am quietly frustrated trying to slowly complete those creations that I told you I was knitting.

So yet another to do list

1. mohair shell sample
2. 100% wool shell sample
3. finish and photograph the carbon footprint bag
4. publish the carbon footprint shadow knitting graph
5. complete and publish the pattern for the sleeveless jacket in English
6. translate the pattern for the sleeveless jacket into Danish
7. maybe translate the pattern for the sleeveless jacket into Norwegian maybe
8. finish black ball cover
9. decide where and when to install black and white ball covers
10. Intarsia E-book or print book planning
11. I may be thinking about knit kits (thank you Constance for bringing that up)
12. I may also be thinking about cloaks again (thank you Constance for bringing that up as well)
13. I may be thinking about the Alexandra Blossom Festival committee invitation to participate in the WoolOn Creative Fashion Event of the 2010
14. I may be thinking about the Fibre and Fleece Exhibition
15. I am NOT thinking about creating for either event while I am in New Zealand
16. I may be thinking about “King of the Mountain” run/walk in NZ on the first Sunday in July

And I am planning a trip to New Zealand to see our very special small person (grandson), our daughter, my courageous Mother In law, and family and friends – and that seems more important than everything and anything else just now.

Maybe that is the cause of the blockety block.

Because this a state of Blockety block – or is that Blankety Blank – if I have forgotten anything then please please remind me, thanks.

And in case it occurred to you, the Constance mentioned above is not me, myself and I. My name is really Connie Lene and not not Constance.

Oh, and did you pick up that my Norwegian is not as good as my Danish, which is certainly not as good as my English.

I feel like I am buried under balls of many types – polystyrene for textile art knit applications in the public arena as well as hundreds of balls of yarn for patterns and ideas – and I come up for air and hope the ball in my hand is suitable for the idea running around in my head.

I have purchased 2 large polystyrene balls – one about 160 cm round and the other about 124cm. These nearly match two out in the big wide world. It means I do not have to go out and test the knitting against the balls.

The problem is, or it may not a problem and just something new to consider. I want to create textile art pieces for these balls for permanent exhibition.

How do you keep a ball standing still?

How will a knitted textile stand up to being on a spherical object long term?

Does anyone do it already – so that I can find out the answer to the permanancy question?

I think small round weights of some kind will hold it steady, or perhaps the ball could be set into a round saucer shape inside a square plinth or stand, or something. That part can be worked out quite well.

But the spherical textile – what will happen there – I do not know. So only time will tell, or maybe someone will help me with that information. I do hope so.

The trouble is that these balls keep on coming into my head space – and I am working on my patterns, and I do need to do to that to help pay for future yarns, and I am just a bit discombobulated.

I am also working out which patterns to include in my Intarsia book – so I become even more discombobulated – if that is possible.

If you are new to Intarsia you may have questions that I could answer which will help you with what you are creating now. Those questions may also give me additional ideas on what should be included in my Intarsia book.

I have started a topic “Intarsia Knitting”, on my Facebook business page under the tab Discussions requesting questions and queries on Intarsia knitting.

The book, which has no name as yet, will cover the skills of knitting using the Intarsia method from working with a basic graph to how I work in the free form way.

It will cover the technical aspects – geared to a learning Intarsia knitter and develop the skills in increments from graph, geometric to free form, over a range of projects. The project patterns will be included. So far projects include a small wall hanging, a sweater, and a jacket.

This is an important project for me – and it has been rummaging around in my head for a long time. Now is the time for me to make it happen. Please join me on the ride as we can all benefit from each others skills, interests, and especially queries.

I am reorganising the galleries and I hope that if you like free form intarsia, and some more formal intarsia that you will enjoy viewing this gallery.

I am going to write an ebook on my favourite knitting subject – Intarsia. The Intarsia free form process is my passion – but the technicality of working in the round, using a graph, working out the colour scheme etc will all be covered. It will be Intarsia from go to whereever it could take me and of course you. I would hope that my passion for Intarsia knitting might also make a convert of you to this method of colourwork in your knitting.

Would such a book be of interest to you? If so please let me know by emailing me with “I wish to be informed on the progress of the ebook on Intarsia knitting” in the subject field.

Intarsia knitting is where sections of color are knitted in different colours and yarns and the yarn is not carried across the back of the work as is done in Fair Isle knitting. The yarn ends are left to be picked up and knitted on return to that section of the knitting.

Intarsia is a woodworking term, where it refers to inlaying different colours or types of wood to create a design.

When knitting using the intarsia method yarn is wound onto bobbins, or long strands of yarn are used for each block of color. At the point where you are changing the colour in a row, one drops the colour in use and picks up the next colour from underneath the original yarn to reduce the risk of holes showing in completed piece. The main difficulty with intarsia knitting is that your yarns WILL tangle. According to many books and articles on intarsia knitting one should use bobbins to wind the lengths of individal colour and allow loose only the length that you are knitting with.

I have bobbins – but I do not use them and yes I do get into a tangle from to time, but this adds drama to the process. I knit on circular needles and whenever possible or practical (which is most of the time) I knit the body of a sweater, the fronts and back of a jacket or cardigan at one time – this means the intarsia sections travel around the piece in an interesting fashion. With careful management when using one colour of a manageable length, dropping it, picking up the next and maybe having 10 or more colours in a row and your yarns are hanging down as they should and you turn the work always one way and then back the reverse way they do not get so crossed over and messy. Well that is the theory anyway.

Because my intarsia is freeform, that is I work to an idea, not to a written or graphed design on a piece – if it is too tangled then I break the yarn and continue with a new colour, or if required I rejoin the yarn. My artist friends tell me that knitting this way is an art form – that is I paint with yarns. I am happy with that view.

The biggest issue with knitting this way is not the tangles BUT the ends. In early days I left the yarn ends to the end (foolish) and then sewed or wove the ends in when the garment was completed.

**** DO NOT DO THAT****

Take the time to knit / weave in the ends as you go – otherwise it can take as long to finish the piece as it did to create it. You do not need that.

When I knitted my cloak (The Great New Zealand Cloak), I left all the yarn ends to the very end. My darling daughter sat over nearly a whole day and night trimming the ends as I sewed them in. She vowed to never do it again with me – but she still helps if I get so excited at what I am creating that I do not judiciously finish as I go.

And then of course she does owns a large collection of unique intarsia knits.

There is no way to ever repeat exactly a piece using my method of knitting intarsia – so if you want to knit a unique piece – try the intarsia free form system – let your creativity rule, play with your colours, mix your yarn types – spread them out, select a garment type and go and play.