ConnieLene – KnitDesigner

The competiton was held by the Compendium Gallery in Devonport, New Zealand in 1992,
The Brief – To Create the Great New Zealand Cloak, My Piece – “Island” When I planned the cloak – I did want to include reference to Maori, the indigenous people of New Zealand, who created wonderful cloaks mostly of a rectangular shape with a woven tie at the shoulders or neck. Their cloaks were woven, usually of a flax fibre. The best and most valuable Maori cloaks included bird feathers, the most striking for me being those created with kiwi feathers. Some were all over feathers attached to the base woven flax cloak. The flax is dyed in a specific mud to get the very dark almost black colour in the work. The flax was woven in intricate geometric designs using the dyed black with the creamy natural fibre and their stories are woven into the designs in the cloaks.

My cloak was created in one piece from the bottom edge to the shoulders. It is an island from the sea to the sky with mountains, sea shore, surf, farm land etc, as best as I could represent a land from the sea. I considered adding a component relating to my own Viking heritage of the sea – but had decided that will be the basis of another cloak in the future.

The black stripe down the sides from the shoulders have linen tassels is to provide that link back to New Zealand Maori whose cloaks were the natural flax creamy colour with black tassels. A feathered cloak would not have tassels. My reference is in reverse – creamy linen tassels on black yarn strip. I called my piece “Island”, because New Zealand is made up a group of islands.

I feel that I created an art piece in the form of a cloak, an absolutely wearable cloak. It sits well and floats from the shoulders. It is light and warm and envelopes one in luxury. When you are wearing it and walk along the shape of it moves in light waves and ripples like the shallows on the sea shore. I am still delighted when I wear the cloak and am always delighted when it is borrowed as it has been many times. This cloak has attended an opera, music festivals, celebratory dinners, and graduations. A perfect piece.

This the link to my earlier story of The Great New Zealand Cloak” competition / exhibition – http://www.connielene.com/the-great-new-zealand-cloak-exhibition

When I created this cloak I decided that I was possibly an artist who knits.

I was wandering about the internet – which is remarkably easy to do – and I happened upon a blog I have not read before and there in was the challenge. Knit Sisters Blog – A year of knitting dangerously

Excerpt from the blog: and do follow the link above and read the rest. It is good reading.

Item 1 on the list is – Learn something new

…… However, there are a couple of techniques that I’d like to tackle this year: entrelac and twined knitting. These seem worthy goals. (Please do not unkindly point out that I have not included intarsia in this list; I feel that intarsia should not be asked of anyone.)

I will not be unkind regarding the exclusion of Intarsia.

I will however take umbrage at the vague suggestion that taking up intarsia as a challenge could be somehow “unworthy”

Now I really am in a state of distress, my heart is going crazy. How could any form of knitting be considered unworthy? If you had remained silent, I would never have know of your view with regard to Intarsia.

Below are some points for Intarsia knitting which I personally regard as an important item in the arsenal of any knitter – especially the freeform colour work.

It encourages freedom that other knitting experiences cannot match

It is a stash buster

It teaches one about colour

It reduces stress

It teaches one about yarns and how they work together

It teaches one that there is freedom in knitting

It is beautiful

It always creates a unique piece

And I do have to say it again – I really want everyone to play with intarsia.

I do have to confess, even though I have done so many times before – I do have other knitting skills to be learnt on my list as well, such as the knitting of socks – (still on my to do list for 2010, and they were there in 2009 as well, and I am sad to say I have 2 IOU’s for 2 pairs of hand knitted red socks, for Best Beloved and Son) – and if you take up the challenge to knit a piece of freeform intarsia, I will add Entrelac and twined knitting to my list for 2010.

So to Knit Sister – Sarah

Take up the challenge – Knit dangerously with Intarsia please

Just now it is not easy to find something to tell you about.

Maybe this is called Writer’s Block
Maybe it is called Designer’s Block
Maybe it is called Knitter’s Block
Maybe it is Ball Withdrawal Block
Maybe it is just called Blockety Block

Whatever it should be called in my case – I do believe I have a big case of whatever it is just now.

I am knitting – slowly.
I am thinking about new designs all the time – but slowly.
I am quietly frustrated trying to slowly complete those creations that I told you I was knitting.

So yet another to do list

1. mohair shell sample
2. 100% wool shell sample
3. finish and photograph the carbon footprint bag
4. publish the carbon footprint shadow knitting graph
5. complete and publish the pattern for the sleeveless jacket in English
6. translate the pattern for the sleeveless jacket into Danish
7. maybe translate the pattern for the sleeveless jacket into Norwegian maybe
8. finish black ball cover
9. decide where and when to install black and white ball covers
10. Intarsia E-book or print book planning
11. I may be thinking about knit kits (thank you Constance for bringing that up)
12. I may also be thinking about cloaks again (thank you Constance for bringing that up as well)
13. I may be thinking about the Alexandra Blossom Festival committee invitation to participate in the WoolOn Creative Fashion Event of the 2010
14. I may be thinking about the Fibre and Fleece Exhibition
15. I am NOT thinking about creating for either event while I am in New Zealand
16. I may be thinking about “King of the Mountain” run/walk in NZ on the first Sunday in July

And I am planning a trip to New Zealand to see our very special small person (grandson), our daughter, my courageous Mother In law, and family and friends – and that seems more important than everything and anything else just now.

Maybe that is the cause of the blockety block.

Because this a state of Blockety block – or is that Blankety Blank – if I have forgotten anything then please please remind me, thanks.

And in case it occurred to you, the Constance mentioned above is not me, myself and I. My name is really Connie Lene and not not Constance.

Oh, and did you pick up that my Norwegian is not as good as my Danish, which is certainly not as good as my English.

I hope that after looking through the site you will choose to be a fan of my Facebook Page or as it is now on facebook I hope you will choose to like ConnieLeneKnits

You can find me in many places on the net –

My Etsy Shop Unique Boutique Knits for patterns and garments

Crazy but this is my other Etsy Shop Connielene Capes and my unique and unrepeatable knits Capes because I adore cloaks and capes, the others because I cannot tell you exactly how I created them other than the pattern for the style but not the intarsia on them.

And because I managed to create and install a Ball Warmer and really enjoyed the experience and the story World Urban Art – a site still in development – Installation art in the urban environment including Knit Art Graffiti or Yarn bombing.

Our travels in Europe – two oldies from New Zealand exploring the Netherlands, Denmark and Europe as time, money and energy allows.

You can find me on Ravelry here and believe it or not I am also on Twitter here as Connieleneknits

I am a Freelance designer, knitter, lover of colour; lots of colour, Intarsia lover, pattern writer, fashion knit trend follower, Colour and yarn trend follower.

They tell me that I am also artist, graffiti knit artist. I know I am a storyteller, writer, blogger, mother, wife, sister, grandmother, teacher, friend, photographer, and speaker.

My loves are colour, texture, shape, flow, drape, drama, magic, passion and yarn and I hope you enjoy the results.

When I can I do participate in fibre exhibitions, and I have curated two exhibitions with a wonderful artist friend. In 2009 I had a felted jacket in WoolOn at the Alexandra Blossom Festival, and a dress with intarsia of course in the Alpaca Festival in New Zealand.

My Mission is to excite and challenge all knitters, designers and wearers of hand created pieces – to experience more colour in their own knitted pieces and to enjoy the freedom and the magic of wearing such a unique piece because it is created with many colours, passion and with magical yarns

My Major Project with delivery in 2011 is My Intarsia Knitting – Book as yet with no name.

I hope you will be a fan of my Facebook Page or as it is now I hope you will choose to like ConnieLeneKnits on Facebook.

I keep looking at “The Great New Zealand” cloak because it reminds me there can be art as well as patterns in my life. The Great New Zealand Cloak

And then there are new beret patterns, with technical information about knitting in the round and simple intarsia. There are 3 patterns, all knit in the round, one colour, stripes, and striped with simple intarsia.

Etsy Shop Link if you would like to check it out Etsy Shop pattern link if you like the patterns. The set includes 3 beret pattern options, all knitted in the round. Plain, striped, and simple intarsia with stripes and a variety of yarns. The intarsia one will create a unique beret. I have also included simple basic intarsia knitting instructions.

Enjoy

I feel like I am buried under balls of many types – polystyrene for textile art knit applications in the public arena as well as hundreds of balls of yarn for patterns and ideas – and I come up for air and hope the ball in my hand is suitable for the idea running around in my head.

I have purchased 2 large polystyrene balls – one about 160 cm round and the other about 124cm. These nearly match two out in the big wide world. It means I do not have to go out and test the knitting against the balls.

The problem is, or it may not a problem and just something new to consider. I want to create textile art pieces for these balls for permanent exhibition.

How do you keep a ball standing still?

How will a knitted textile stand up to being on a spherical object long term?

Does anyone do it already – so that I can find out the answer to the permanancy question?

I think small round weights of some kind will hold it steady, or perhaps the ball could be set into a round saucer shape inside a square plinth or stand, or something. That part can be worked out quite well.

But the spherical textile – what will happen there – I do not know. So only time will tell, or maybe someone will help me with that information. I do hope so.

The trouble is that these balls keep on coming into my head space – and I am working on my patterns, and I do need to do to that to help pay for future yarns, and I am just a bit discombobulated.

I am also working out which patterns to include in my Intarsia book – so I become even more discombobulated – if that is possible.

The balls are back like rows of Bridesmaids awaiting to move forward in the church.

They will look grand back in position. Trouble is, and I do not know if this is trouble yet, there were 24 balls (not the 25 I originally stated), now there are 20 waiting. I do hope the evenly spaced balls will look as grand on this elegant curve if there are only 20. It could also be that when I go back today that another 4 will have materialised.

A Yarnbombing, A Graffiti Art Knit installation, or an Urban Art installation will occur here again I am sure. I do hope the powers that be in Haarlem will let them sit and rest a little before removing them next time.

I am gobsmacked, my heart is pounding – the news is in: the balls are back. That is the great concrete balls of Haarlem Town Square (Grote Markt) are back. They are not back in their original position as yet, they are sitting and waiting to be repositioned as the road works continue.

So just maybe a yarnbombing, a graffiti art knit installation, urban art piece, yarn storming, street art piece will be able to be installed in Haarlem again.

Did you know that according to Wikipedia yarn bombing is almost exclusively about reclaiming and personalizing sterile or cold public places?

Having said that I do not think that the Haarlem Town Square is a sterile and cold public space. We have had wonderful meals here, fresh mint tea here, greeted Sinter Klaas here, farewelled Sinter Klaas here. We have bought bird food for the birds, partridge for us, and winter truffle, olives, olive oil, flowers, fish and yarn here in this square. We have listened to jazz at the Annual Haarlem Jazz festival as well as at various venues around the square. We have participated in food and wine tastings, been enticed by the idea of the Keukenhof Gardens and so much more.

Can you say that about your town square?

We have crunkled across the snow, taken our bikes through the square (once), welcomed Olympians to the square, participated a couple of times at the local stitch ‘n Bitch at the square. We have eaten kibbeling, frites, stroopwafels, poffertjes but not raw herring in the square. Tried various beers, wines, olives, and breads, in this square. We have spent a couple of days at a medieval village and market in the square.

There is just nothing cold and sterile about this space.

BUT the balls, the great balls of Haarlem, now they were cold.

I do not know the name of the model wearing my Great New Zealand Cloak – but it was a nice surprise to find this photograph today. I had followed an advertisement for the upcoming Italian “Vogue Knitting Italia 2010″ tour and explored and found this photograph from the 2007 tour which came to New Zealand & Australia. That tour was also hosted by Carla Scott and Nicky Epstein, and we were all delighted to meet them.