ConnieLene – KnitDesigner

Sunday just over a week ago I was extraordinarily lucky.

Why?

Well; a few weeks before I was making a purchase at De Afstap in Amsterdam when I noticed on the counter a reference to an upcoming workshop/presentation by Christel Seyfarth.

Now you know where I am going from here, don’t you?

I have seen Christels work on the internet as many of us have, and I never thought I might see her work and hear her speak.

And now I have.

And what can I say – WOW!!!!! the photos don’t do her or her creations justice. But still WOW!!!!!

It was magic to hear her speak of her design process, her colour use, and the drivers from her natural environment on the island of Fanø off the coast of Denmark, and in particular the sea.

And of course I love that she starts something and is not always sure where it is going. Now that I really understand as that is very often what I do.

I also knit in the round.

I also knit with many many colours.

I have also said “not sure if it is working – then add some more colours, just keep going”

That however is as close as I get.

I never ever knit in the round and cut my work and finish it in the way that I saw on Sunday. STEEKS – EEEKKK.

I have never ever created a piece with a steek.

I have never ever cut my work.

I don’t even knit fair isle. That is nearly untrue, in the past I have knitted fair isle – when I had a knitting machine, ever so long ago. I also tried hand knitting fair isle when my kids were still kids, again a very long time ago. I abandoned it as a method when I discovered intarsia.

I did knit a waistcoat with facings, again many many years ago. I have never done that since.

But Christel is so passionate about her creations, her methods, her colours, and the sea that she might even draw me towards facings and steeks (eeekkk), but not fair isle. I already love the sea and colour.

And then there is that reef knot. I am not going to tell you about that though.

Do you know that even the shawls are knitted in the round with steeks? I am amazed by her skill, her finishing, her trims, edges, facings and the colours. I love the colours.

If you ever get the chance to listen to Christel speaking, and to see and touch and marvel at her designs, as well as to view her wonderful photographs of her island – Fanø, and of China and other places and things which have triggered designs for her. Then you must take up that opportunity. I am so glad that I did.

But then I have been a very lucky person.

but steeks…..

Christel Seyfarth gallery and Fanø Knit Festival 23-25 September 2011

At last – the photos from WoolOn have arrived.

Some of you may have followed my Woolon entry story a little. I kept making mistakes in my knitting; I had problems getting it to New Zealand on time and I didn’t write the patterns properly as I went and so on.

The ensemble was entered in the Out there / Streetwear category. It looks great on the model, the first time I have seen it together as I sent the various pieces to New Zealand in 2 parcels as the top wasn’t completed in time for the first parcel and post from the Netherlands takes an age. WoolOn may have had a topless ensemble. But as you can see I got there in the end.

I am a little sad that the arm warmers were not worn from over the hand to above the elbow as I had intended – in the rush to send the parcel I probably didn’t describe it well enough for WoolOn to work out just what I meant. It would have looked much more funky then.

That Woolon thing

WoolOn Here I come

Sometime Twitter a story makes

Skirt and top were created with Touch Yarns, Magic Merino Sock yarn. Various yarns were used for the Beret / Slouchy hat and the Moebius Scarf/Cowl. And then those funky feather & fan, fingerless gloves / gauntlets – they were in a variegated yarn.

The top does have a dramatic keyhole centre front and is sleeveless, knitted in k2 p2 rib.

The skirt increases were done using the hyperbolic plane method – that is every # of stitches increase 1. now I am writing it I cannot remember how many stitches were between the increases) I do have it in my notes, but I was just excited to get up to these photos this morning. Thank you Karin.

Gosh now I am checking there were many references to the WoolOn event, I won’t add them all here though. WoolOn link

I have been knitting for more than 50 years. Did you notice, I said that out loud. I have probably been knitting for more than 55 years, as the actual start date is lost in mists of time.

When I was a much younger knitter, Feather and Fan was used for baby things like shawls, matinee jackets and bonnets. I used feather and fan stitch when knitting for my own babies.

Since that time, until now that is, feather and fan stitch and I have not crossed needles and yarn together (or paths or swords).

I have rediscovered the beauty and the simplicity of this stitch pattern and am now designing pieces using it.

I really love the effect of it with the variegated yarns above and now as you can see, I am knitting with a cream yarn looking at the affect of the stitch on the edges of the knitting.

But my circular needle on which is sitting my wrap all excited and ready to go – BROKE – and I do not have another spare 4.5mm circular needle. And yes, I know the wrap is being knitted in cream; I know it looks like baby stuff, but when it is finished, if ever, it will look like a gorgeous, warm, sexy, delicious, and feather light wrap and I am or was enjoying the wavy affect on the edges.

BUT it is raining and the wind is blowing, and to purchase another such needle will mean adding lots of layers and walking about 20 mins along narrow Haarlem streets, across a draw bridge over a canal (the Spaarne) and along and along to the wool shop Kleinvak van der Raad where they do not mind my lack of Dutch and probably giggle at some of the yarns I buy to try. But that is okay.

And today I just do not feel like it. In short I am really and truely hacked off. I might have to open the wine!

There it is, I have been blithering on about communication and I missed a really great question from a lovely artist/designer on Facebook. Today I did something I have not done on Facebook before – I checked the tab “Just Others” and there was the question from May 2010.

The question was “Where can I learn more about your method of intarsia freeform knitting?”

Now that should have sprung out and said “Hey, Here I am”!!!, and I missed it.

There are books out there and much on the internet explaining Intarsia, but my free form Intarsia, there is no resource available as yet that I am aware of.

And so there is no single easy answer to the question, although I am working on an answer to it as I am putting together a book proposal.

For the design on the piece I consider the shape of the canvas, which might be a sweater or a cloak, or a jacket; and the person or exhibition for whom this piece is being created, and then I work to the idea or concept. In other pieces I might simply change the colours and yarn types as I feel, as I view what I am creating.

Very very basically, I sort yarns by colour, texture and weight (more or less as I don’t let the weight drive my work) and then I knit (play) always with the idea or concept in my mind or on the sketch.

The biggest hurdle for most knitters is to plan too much, and while I do plan, that is I have a canvas, which is the shape of the knitted piece, and concept and colour group, then I just knit.

I would love to run workshops on working with intarsia generally and including freeform work, or on “Playing with colour and yarn”. I hope I will have the opportunity to do that when I return to New Zealand.

I am working on a proposal for a book which will have basic knit designs, Instruction on working in the Intarsia method, a planned intarsia design for each knit design, as well as exercises to play with the yarns and colours and so go on to work on a free form intarsia design within the knitted design.

There is a lot work even in putting together a proposal as I am sure you all know, and of course I have to convince a publisher that it is worth their while.

Refined sophistication – buttoned up collars
Military / aviation
Lingerie as outerwear
leather clothing
the cut out / cutaway – with the cut out pieces worked directly on top of skin or ‘filled in’ with sheer fabrics, detailing can be subtle to sexy
Knee high socks or over the knee socks, or even thigh high socks
White tights
Women’s camel coat
Velvet clothing
Neo double breasted jackets
Sheer clothing /cut outs – mixed with fine laces, the sheer trend mixing elegance with sex appeal
Capes
Thigh high boots
Shoes with socks
Socks under heels
Fur boots & mukluks

I know fashion is fun, I absolutely love fashion, but I don’t wear fashion. How bizarre is that. I guess it is that fashion clothing like all clothing should be fit for purpose, and is not the purpose to keep warm in colder times?

I want wool, mohair, alpaca, knitting, crochet, weaving, colour, color, yarn, garn, woll, felt, filt, layers, and I want warmth, pleasure, comfort, and a little usefulness. I am going to create something for WoolOn that will be fit for purpose, created mainly of wool, and in many colours, and a style or shape or design which is edgy and out there. It must also be in Vogue – Somehow.