ConnieLene – KnitDesigner

Berets not including the felted one – because I have not felted it as yet.

Also Berets not including my funky fuzzy, multicoloured one – I haven’t knitted it as yet. Sorry Jeanette – at least it is still summer time where you are in Australia. And this morning we got up to another surprisingly white day – a reasonable sprinkling of snow. It is disappearing fast as the day warms up.

There will be a pattern for these Berets using Vero, or another 12ply yarn.

And for you knitters out there – the front beret has been blocked, the back two had not been blocked when the photograph was taken. They are drying now.

I am now on beret six – there is some minor madness when one keeps on playing with a piece. These have all been created using Vero yarn but in the different colours that I have here in the Netherlands.

I do miss my yarns that are still in New Zealand.

How can I miss yarn? I cannot even remember what was in my stash there – just that there were lots of yarns, in lots and lots of colours, from many different places in the world. But I do miss the variety in colour, yarn type, do not have sufficient variety here to create pieces as I was doing in New Zealand. I have purchased a lot of different yarns here in the Netherlands and some in Switzerland and in Denmark – I just do not have the quantity, colour range and yarn types here as I did have at home. It takes time to build up a new stash, doesn’t it?

What to do?

I don’t know.

So right now I am knitting berets.

Originally this was in response to a commission from a friend in Australia. But now I need to consider – do I continue with these? Do I complete the commission? Well yes that I must do, which means that beret 7 must be a funky, fuzzy, multicoloured piece. Then I must write up the pattern and then get back to that carbon footprint bag. Maybe I just put the two graphs out, one for the intarsia footprints and the other for carbon footprint using shadow knitting and leave you to decide – should it be on a bag, blanket, pram cover, cushion or on a sweater – should you happen to want a sweater with a foot print or two on it.

I guess that is what should be done.

The beret pattern – will include one in stocking stitch, and one felted from a stocking stitch knit. I won’t try to define the multicolour, multi fibre, intarsia one – that will be free form with little guidance.

I have lots of knitting to do

Mind you, I always have lots of exciting knitting to do. Today I have loaded videos of my grandson with messages to his grandad onto Youtube. These were too big to attach to an email, but they were too wonderful to ignore. We do not have such records from our own children, it is so good to have these of our grandson.

So now Grandad and Grandson can both see from opposite sides of the world – what Tomas had to say and show his Grandad.

While I was working on the videos – my delicious cream neck warmer, and one Vero beret are drying. The beret I should felt is waiting, and so is my new beret on the needles.

I need to add to etsy shops as well today. It is hard to keep up with Ravelry, Etsy, knitting, felting, blocking, patterns, carbon footprint, ball warmers, spherical objects world wide, my intarsia e-book, as well as a very special small person in New Zealand and writing Our story of two older persons doing their OE (Overseas Experience) at a rather late stage of their lives.

Then of course I still need to check the tree – to see if it still has its scarf. If it does, we will remove it this weekend – to allow it to grow and blossom over the spring and summer.

I will leave the scarf hanging on a lower branch – so if someone needs it they can take it.

The news about the balls is not good – see next post

I do try to keep up with what is new in the world of knitting, in yarns, designs, and knitters and designers and their books. I have been researching on the net – and found Nancy Marchants book “Knitting Brioche: The essential guide to Brioche Stitch”.

I didn’t know the stitch – brioche, and the light just went on. It is a form of fisherman’s rib. Now I do know fishermans rib.

Excerpt from Nancy Marchant website… history, I found that among English-speaking knitters, this stitch also had many different names; Prime Rib, shawl stitch, Oriental rib, shaker knitting, patent stitch, fisherman’s rib and brioche stitch were among them.

I do wonder which name came first.

I have only ever knitted one garment, using Fishermans Rib, a sweater for my husband in a soft grey yarn. It was gorgeous – but far too warm for a New Zealand winter. It would have been excellent here in this Dutch winter wonderland. I do remember that I had to purchase extra yarn to complete it as my Best beloved wasn’t so keen then in mixed colours and yarns. I am so glad that as we have matured together he is now more open to wearing my multi coloured creations.

Nancy Marchant, Queen of Brioche and her new book Knitting Brioche: The Essential Guide to the Brioche Stitch

I started looking and found the following links which may be of use if you are exploring Brioche or Fishermans Rib.

The Knitting Fiend … where Lucia blogs for instructions on how to knit Fluffy Brioche, Brioche Rib and Double Brioche

Brioche stitch explained by Pippa W of Cloudy Crochet

I am not an expert in this stitch, having only ever created the one garment using it, and from a pattern. I have just found the link to free Nancy Marchant beret patterns and as I am knitting berets right now, maybe I will have a go at one of these patterns. They do look great not just because they are berets, but because they use this stitch with more than one colour – and you know me, I like more than one colour in a piece.

So I am going to add Brioche or fishermans rib in 2 or more colours to my learning program for my time here in the Netherlands.

The berets I have been knitting do have more than one colour – but that is because the yarn (Naturally Vero), contains more than one colour.

Cheating! Maybe; but they look good.

I have had a really wild week.

It is has been freezing, snowing and my hands have really struggled with the activities we have carried out out in that cold wintery environment.

On Wednesday I was interviewed by Leandra and her team on Amsterdam English Breakfast Radio. That was a great experience, and the radio interview is also on video. (Radio with pictures – was a New Zealand TV programme many years ago).

We then tested a ball for size in a freezing Maastricht, and followed that with the ball dress rehearsal in Haarlem. Both of those freezing activities are on video. We are amateurs for sure, the commentary is bizarre – that is I didn’t realise it was recording the activity, let alone what we were saying. We will change it when we work out how. But in one wild wintery week I have been on video in three separate cities.

I do have to get away from these balls. My black formal ball warmer is progressing well – and I keep seeing ideas in my head for new ball pieces.

So I am not creating ball warmers anymore, that is until the next time

I am creating an intarsia piece with hairy “carbon footprint” design. This may well be my only ever graphed intarsia piece. I just don’t knit pictures.

I am a free form flowing kind of knitter, I just don’t like graphs. I know I can do it – but when I am surrounded by many yarns and many colours of yarns I really just want to play.

So I am going to work through the list below until I can play some more

1. Knit Carbon Footprint in intarsia

2. Complete Carbon Footprint – shadow knitting version

3. Knit 2 berets for a very dear friend – I have the yarns and I am playing with them – sorting, changing the colour order, thinking about what other colour or yarn type I could add.

4. Finish formal black ball warmer

then

colour

colour play

and then colour play some more

that is the plan

Options : With many yarns and colours of course

One beret created with faux fur fibres in gorgeous shades (to be decided on), with a plain wool knitted band. “A Crazy Soft Character top – and simple band”

The other should be a felted one in the wonderful turquoise, deep blue, purple delicious colour range with fancy bits included to make a dramatic statement. I don’t have a pattern for either – but will work from the two I have already created.

Remember many yarns and many colours

My brain (or is it my eyes), is seeing balls everywhere – so I have to concentrate on something sensible like my carbon footprint bag pattern and your two berets and I am glad that you like them both – and that you will go for colour explosions in both with the felted one in a variety of yarns in those rich purples, turquoises and blues.

Danish born, brought up in New Zealand and have been living in the Netherlands since Sept. 2008 because Best Beloved has work here at present.

I have been knitting since the mid 1950’s and began designing my own pieces in my early 20’s. These early designs related to the yarns I could purchase very cheaply from bargain bins and at end of the season – so there was not a big range to choose from for any piece. But buying yarns this way meant I became quite innovative in my colour and yarn use and very early discovered that the required yarn for any pattern is simply to force one to buy that specific yarn and is so absolutely untrue.

Designing and crafting has always been part of my life and I have created pieces using various skills including embroidery, basket weaving, marbling, tie dying fabrics, crocheting, knitting etc.

I love cooking and had an experience which will never be forgotten as a young teenager of 15/16 where I was one of 12 finalists in “Cook of the Year” a New Zealand recipe and cooking competition. This meant I had to be part of a bakeoff – where I cooked my own recipe (the one that I had put forward which placed me in the finals) and a recipe of one of the other finalists. Pretty scary as a young person and of course I drew the recipe of the ultimate winner to be created along with my own recipe.

My “real work” work from the end of the 1970’s was in library systems – first helping put the first library catalogue onto a computer system (data entry, form filling), then working with the Dynix Library System first at Auckland Public Library, then with Dynix itself as a library Support person eventually becoming Manager of Dynix New Zealand. In early 2000 I became the Library Systems Manager at Whangarei District Library where my most interesting project was establishing a Mobile Library Service for the Whangarei District – from buying and outfitting the bus, working out bus routes, and sorting out the technology as well as managing the library system itself.

Now I can barely manage my own computer – especially in this last 18 months with my computer in storage for the first 6 months and using Best Beloved’s work laptop when it was available. Once we were established here with our stuff in a house we did get mine out of storage and I lived and worked with blue screens and crashes for nearly 8 months. I have now replaced it and I do not like my very first laptop, and I hate office 2007 and I hate Vista so far.

I have created / designed many many more pieces than I now can remember and they have gone to many places in the world – from New Zealand to Denmark and England. Now that I have a digital camera – I still manage to complete pieces and not photograph them – but I really do try to photograph everything I create.

Craft / Art Experience:

1973/74 – Cook Street Market – Auckland. I designed and created knit and crochet garments for babies & children, hats & waistcoats of many colours for adults. One passion was multi coloured shawls which I knitted and crocheted. I did also create garments after tie dying the fabrics. I am a lousy sewer but did create hippy style shirts to sell at the market as well. I made many natural cane baskets – banished myself to the bathroom with a bathtub of soaking cane and sat there weaving. Loved the results, hated the process (that is sitting in a cold bathroom – I loved the weaving and creating), and it played havoc with my hands and back.

My mother and I did have a market stall at the Parnell markets where I sold machine knitted sweaters and received my first commisions for fair isle machine knitted sweaters and cardigans – when I had had the machine for only a week or two. Now that was a bit of a leap of faith on part of the purchaser – but it did work out in the end. The knitting machine didn’t last long as a passion as I like knitting whereever I am, in the car, at the dinner table, watching TV (depends on the piece being knitted), at friends and relatives homes everywhere). In fact the knitting machine never really became a passion at all.

1976/78 – Craft group in Titirangi, New Zealand – often at my home where we pooled our knowledge of knitting, crochet, basket weaving as well as the tie dying of fabrics – probably the first “stitch ‘n Bitch” group in New Zealand.

1982/3 – Craft group at Arahoe Primary School – Titirangi, New Zealand. I loved teaching the kids and they were open to trying anything so I did teach various crafts to them including crochet, basket weaving and creating string pictures and more.

1990 – Workshop “Marbling on fabric & paper” with Maxine Lovegrove – Auckland, New Zealand which helped develop my colour use in my beautiful pieces.

In the Netherlands I have added felting, shadow knitting, Hyperbolic planes, and now knitted graffiti to what I do. It is amazing how a new place can encourage you to extend yourself.

I am passionate about colour and texture and uses my knits to surprise and encourage in the wearer a confidence of expression. A confidence to wear the unusual and to enjoy how it feels and how the colours shift and adjust depending on the light of the day or space one is in. A confidence to wear magic – and it is magic.

I am delighted when someone is passionate about what I do.

I have struggled with my creations since I arrived in the Netherlands and apart from the lack of a huge range of yarns I have not had a “body” to test shapes and flow of any of the pieces I have been working on. In New Zealand I had access to a torso as well as my daughter who has been a very patient model all her life.

Today I have fixed that – I purchased not one but two torso’s from a 2nd hand clothing shop which is closing down here in Haarlem.

One – all black with minimal facial features and no arm sections – and the headless wonder but with the upper arms. The purples triangular (but not Danish shawl style) scarf/shawl on my black model is now completed and has gone to Natasha.

I carried the grey torso with upper arms, under my arm, I took the head off the black one and put torso into my trolley upside down and the head rested inside the body – sort of and then proceeded home with them. I tried not to check too hard – but I think some tourists may have taken photos of me marching across the Grote Markt (big square) with my unusal purchases.

I can understand the desire to photograph such sights. I have twice seen a lady riding her bicycle with a mannequin leg in each of her saddle bags. So looking at her from behind there are 2 legs in the air and a body and head facing the other way between them. Do I ever see her when I have my camera out – Nooooo way. Darn.

I have been working in a very foreign way for me – here in the Netherlands.

My design process is usually more or less as outlined below.

I play with my yarns – and that includes touching it and smelling it, and moving it from one pile to another to see which colours sing for me and then I decide what I could make with the resulting group of yarns. There have been many times when I have had a large sheet on the floor covered in piles of yarn which I may “play” with for some weeks before I begin to knit. I have a patient family, thank goodness.

I have decided to create a piece – and I look for the yarns (playing, smelling, touching as above) until something tells me these that I have gathered together will create my vision and then I start the knitting and if I remember in my excitement to do so, I record the pattern as I am knitting it.

OR

I have been asked to create a piece in a particular colour range or yarn type, or specific pattern/style for a person who has their own personal shape, colouring and style in mind for which I am to create a unique piece. That option is more difficult and requires much discussion and ideas back and forth till a consensus is reached and I use some or all of the above to create a unique piece for a unique person.

BUT

Here in the Netherlands I have been working for many months without a stash of yarns and it has forced me to me more formal in my process and I have been knitting pieces of one yarn only (my heart is breaking), and not just one yarn type but one yarn colour. (Can you feel my heart crying). Now to make this valid for me I have even forced myself to put proposals forward to magazines etc thinking that maybe others will like my more formal work. Formal in that there a design requirement, a yarn to be decided on and a style to envisage and then a pattern to be created and checked and tested and sometimes the garment to be knitted. My pieces are still unique in that they are still a bit quirky in shape or style I hope, but it is a formal process being tested. Will it work I wonder?

BUT my blood pressure has gone up

SO I am reverting to the more passionate form of designing – I am going back, or forward depending on your point of view to creating unique pieces with passion, colour, surprise, uniqueness. Pieces that spark a passion in others, pieces that make people want to stroke them to feel the yarns, and even to looking closely to see just how many different yarns, how many different colours and how they work together.

Most of you will not know about our glorious “K” Road (Karangahape Road, Auckland, New Zealand). I used to work in a little street off the notorious “K” Road. One day when I was walking along on my way to work (as a systems consultant for libraries – believe it or not) wearing one of my multi coloured mohair batwing sweaters. A couple of very tall masculine women in very short skirts spoke to me as they tottered by in their very high heels. “Love your sweater darling”. I loved it – it made my day.

I want that to happen every day.