ConnieLene – KnitDesigner

I recently did a bit of a rave about Grannyg. She, that is Grannyg has a mission to save the world – one craft at a time, and she is doing very well at it, even on her own – she knits, spins, weaves, sews and bakes (I am told gloriously well). Oh, and she drinks coffee. I guess she must also drink tea given that the website is called Crafternoon Tea with Grannyg or maybe the name was a decision born to fill a rhyming need as Crafternoon Coffee with Grannyg does not work at all well.

Well Grannyg and I had a long talk a couple of weeks ago and today the podcast is up and ready so if you are at all curious about podcasts on crafts in, or to do with New Zealand and New Zealanders then do listen to it.

episode 36i – ConnieLene Johnston

Now I am Danish born, but I certainly sound like a New Zealander as you will hear. It is not so surprising as I have lived in New Zealand since December 28th 1948. Of course it is possible that it was the 29th, I just can’t quite recall, it being a wee while ago and at that time I was of an age where dates were not quite so important to me.

We established I have a long history with New Zealand including the craft / art / knitting world and as such am qualified to be interviewed, and what a fun interview that was. It did run on a bit, as it does when you are discussing stuff dear to your heart and it was great fun. Fortunately Grannyg being a very technically au fait granny, she has edited it a bit.

And if you think I laugh and sound like a smoker – believe me I am not and have never been. I spoke to Best Beloved about that and he reminded me that on the day I had a bad air day. What do you think of that – he noticed my bad air day, never ever notices my bad hair days. He was downstairs while Grannyg was interviewing me, or was that while we were talking about stuff we both love. No, it really was an interview.

Isn’t technology great – we spoke across the airwaves, and now I can, and I hope you do as well, we can listen to it over the airwaves – clear as day.

Sorry – I forgot say – we are living in Haarlem, in the Netherlands, In North Holland, which is why this was an interview via the ether. I am calmer about ether today you will note. We have been here in the Netherlands just over 2 years and will return to New Zealand late next year. In the meantime my Best Beloved is working, and I am designing and knitting, just filling in the days with yarn, ideas, colours and even patterns.

I hope these patterns and I probably have several hundred partially written or connie knithand notes that will become patterns. These here patterns are to be sold so I can continue my passion for yarns. I will quietly curl up my toes as the New Zealand pension is unlikely to be sufficient to cover my yarn needs.

Unique Boutique Knits – with my knit patterns

Please go look and then listen. It will help Grannyg with her quest and with luck it will also help me with mine – and please forward the link.

The competiton was held by the Compendium Gallery in Devonport, New Zealand in 1992,
The Brief – To Create the Great New Zealand Cloak, My Piece – “Island” When I planned the cloak – I did want to include reference to Maori, the indigenous people of New Zealand, who created wonderful cloaks mostly of a rectangular shape with a woven tie at the shoulders or neck. Their cloaks were woven, usually of a flax fibre. The best and most valuable Maori cloaks included bird feathers, the most striking for me being those created with kiwi feathers. Some were all over feathers attached to the base woven flax cloak. The flax is dyed in a specific mud to get the very dark almost black colour in the work. The flax was woven in intricate geometric designs using the dyed black with the creamy natural fibre and their stories are woven into the designs in the cloaks.

My cloak was created in one piece from the bottom edge to the shoulders. It is an island from the sea to the sky with mountains, sea shore, surf, farm land etc, as best as I could represent a land from the sea. I considered adding a component relating to my own Viking heritage of the sea – but had decided that will be the basis of another cloak in the future.

The black stripe down the sides from the shoulders have linen tassels is to provide that link back to New Zealand Maori whose cloaks were the natural flax creamy colour with black tassels. A feathered cloak would not have tassels. My reference is in reverse – creamy linen tassels on black yarn strip. I called my piece “Island”, because New Zealand is made up a group of islands.

I feel that I created an art piece in the form of a cloak, an absolutely wearable cloak. It sits well and floats from the shoulders. It is light and warm and envelopes one in luxury. When you are wearing it and walk along the shape of it moves in light waves and ripples like the shallows on the sea shore. I am still delighted when I wear the cloak and am always delighted when it is borrowed as it has been many times. This cloak has attended an opera, music festivals, celebratory dinners, and graduations. A perfect piece.

This the link to my earlier story of The Great New Zealand Cloak” competition / exhibition – http://www.connielene.com/the-great-new-zealand-cloak-exhibition

When I created this cloak I decided that I was possibly an artist who knits.

Exhibitions include the following:

• WoolOn Creative Fashion Event, Alexandra, New Zealand – October 2010
• WoolOn Creative Fashion Event, Alexandra, New Zealand – October 2009
• Alpaca Exposition 2009 – Fielding, New Zealand September 2009
• Colour Play Exhibition at the Randolph St Gallery – Whitecliffe School of Fine Arts & Design. September 2007
  My unique knit designs on the gallery walls alongside the work of BFA Fashion design students from Whitecliffe. The Vogue Knitting Tour of Australia and New Zealand 2007, hosted by Nicky Epstein attended.
• “Gumbo Ya-Ya” 2002 – This was an exciting multi-media exhibition of paintings, sculpture and knit garments, held at the Yvonne Rust Gallery, The Quarry, in Whangarei, Northland, New Zealand.
• New Zealand Spinning, Weaving and Woolcrafts Society Exhibition held at Victoria University, Wellington
• The Great New Zealand Cloak -1992 Certificate of Merit: Judged by Lucy Goffin, Textile Artist, Great Britain
• Leather and Wool to Wear – 1992
• Wool to Wear – 1991
• N.Z. Wool Capital Fashion Design – 1990 Nominated: The Peter Dunkerly / Woolrest Knitwear in Fashion Award Exhibition at the Century Theatre, Napier
• The Wearable Art Collection
• The Fashion Parade – 1989 – My work was included in an exhibition and parade in Orewa, New Zealand, followed by a parade in Honolulu. All the artists and designers were from Rodney District, north of Auckland.