ConnieLene – KnitDesigner

Help! They are gone !

Who took the Haarlem Balls?

Those elegant balls in the most gorgeous town square (Grote Markt) we have been in. Those gorgeous balls that were used to sit on and talk to your buddies in the summer.

Those elegant balls on an elegant curve delineating the road from the square.

Those balls that were so right in a town square of such age, beauty and elegance. No other shape, or style of divider could ever do in that space.

And then of course there are the Ball Warmers themselves, so far none of the measured balls in Maastricht or the loosely measured balls in California match the size of these Haarlem Balls.

So my knitting pattern suggestion will never have another use.

The snow ball and the formal ball gown – will not have a place where they can be proudly displayed.

Snowing, a grey ball being disguised as a snow ball

Why oh why has this happened?????

Is it because I cannot read sufficient Dutch to have known they were to be removed?

Or is it because the newspapers that I can manage to read some of, were not delivered?

I could have installed the Ball Warmers – even for a brief time. These Ball warmers will never be seen in all their glory. People using the square will not be able to smile at the silliness, or the surprise, or the delight of great concrete balls with covers; knitted art designer covers.

Right now I am so shattered, and as I didn’t take my camera with me today – I do not have a photograph of the square without balls.

I will add photos of the square without the balls later maybe, when I have the strength to return. Maybe, just maybe, they will be put back before I can return there.

And this will just have been a nightmare.

He did measure another ball – and it was 150cm plus the white bit at the end of the tape, his hand span and another bit maybe a couple of inches. How will we work this out?

Best Beloved is in Maastricht today armed with my tape measure to enable him to measure a Maastricht ball or maybe two. We had left the tape measure in Haarlem when we tested our white ball warmer a couple of weeks ago. Of course on the day we were there, Best Beloved to work, and me to check out the balls of Maastricht, it was sooo cold, my hands could not have measured a ball accurately at all.

I was excited and maybe just a little horrified as I walked along the road to our rendevous point that bitterly cold day – there were many balls in Maastricht and they were obviously in several sizes. I counted at least 48.

Could there be 48 or so textile and fibre enthusiasts in and around Maastricht who would take up the challenge to create a ball cover for an amazingly different fibre festival event, should we be able organise it. I do hope so.

The measurement of the first ball was phoned in from Maastricht before lunch, and it is only 124cm, at least 36cm smaller than the Haarlem Ball (which was 150 plus my handspan). Less knitting, felting, patchwork, embroidery, crocheting, weaving, basket weaving, textile and fibre work for these balls – so maybe there will be interest from others, just maybe.

Oh no – Measurement been phoned in from Maastricht just before Best Beloved’s 2pm meeting, and the second ball measured across the road from the first, is 142cm and trust me, Best Beloved is not dyslexic.

What is it with these ball creators?

Now we have balls in three sizes and I know there are further balls even smaller in Maastricht. Best Beloved may not be able to measure those on this trip. Generally when work is over it is a race to the next train. The train trip home is 2.5 hours, and I cannot expect more measuring when the journey is so long already. Stopping to measure may mean an additional 1/2 hour between work in Maastricht and home in Haarlem. It wouldn’t be reasonable to expect it. Would it?

I am reorganising the galleries and I hope that if you like free form intarsia, and some more formal intarsia that you will enjoy viewing this gallery.

 

I have finally established my presence at “The Place to buy and sell all things handmade” ETSY.

Well it is not exactly a presence yet. I have managed to add 4 items to each shop and to set up a basic environment. It is amazing what has to be done to establish a great cyberspace presence. It will take me a bit of time to get my head around the process.

See Connielene and Unique Boutique

The very silly reason for 2 ETSY shops is that I didn’t read all the detail properly, well I didn’t absorb all the detail properly and added Unique Boutique before realising that my user name was also my shop name. So I will see how two Etsy shops go and decide later whether it is worth the effort or not.

My aim with Connielene is to include those pieces which are unique – these pieces will generally use many, many different colours; many, many different fibres and should be exciting and magic to wear. They will also be impossible to ever repeat. They will be the pieces that could be in exhibitions.

I will also include my edgy fashion pieces like my NOT fox fur capelet. These I can repeat, and do, and they have become an important part of my collection.

In Unique Boutique I will include the things I create with only one or two yarns and/or colours and are quite simple – but each will still be unique – as I do not usually purchase enough yarn to repeat exactly any piece.

I will also include my shadow knitted wall hangings and new felted pieces in the ConnieLene shop.

Shadow Knitting is something I have often thought about working with but had never quite got to trying it out. I didn’t want to create pictures as such, but would like to see how I could explore its use as an art form.

I had the opportunity to put forward a proposal for an art piece to the International Textile Exhibition being held in the Netherlands in 2010. The theme is “Sporen” or “Tracks” – I have taken the view that what we will leave behind will be plastic, lots of plastic; or the current hotspot, The Carbon Footprint. They didn’t get excited about the piece I created but it was an interesting experiment with shadow knitting and I am going to continue working with it. I can see such creative and artistic opportunities.

On the way to my “Carbon Footprint” art piece I created several small wall hangings to fit into the 20″ by 20″ frame as required for the exhibition. The first was a knitted scene – which I then felted. I like it well enough, but not enough to put it forward. Yes I could have embellished it and I will probably do that sometime.

My next piece was to include plastic, as my view of the world is that we will all finally be buried under a mountain of plastic. I roughly cut various plastic bags into strips, nothing too tidy as plastic is not tidy. I also visited a very dim “rabbit warren” of a junk shop here in Haarlem and came out with many odd plastic things – stuff that had been created as advertising gimmicks – key rings, swizzle sticks, some toy bits etc which I was going to include in my knitted Everest. It is pure rubbish for which I paid an exorbitant amount of money. It was stuff that should never have been created and had been doomed to linger on the very dusty shelves of a large, dim, untidy, disorganised junk shop until the crazy knitter rolled in. Of course if I had used it – maybe I would have had to go back and find some more. My hands were rather blackish and grubby when I emerged and it was not that good for my lungs either. I did knit my 20″ by 20″ Everest – of plastic using the shadow knitting technique. I like it, but it didn’t quite demonstrate what I had hoped and time was running out – and by then my best beloved had suggested “The Carbon Footprint”. I think Everest is the beginnings of a much larger piece, 20″ by 20″ was too small for my Everest.

I purchased a digitally restored eBook which included the pattern for a crocheted bathmat with a chart to embroider a footprint on the crocheted bathmat. This pattern was originally published by The American Thread Company, Star Rug Book No. 93, in 1952.

I redesigned the chart for a knitted foot print after I had tried and failed with the chart as it was. The re-engineered footprint was then knitted in black mohair, with the background of a natural coloured varigated sock yarn and finished with a black crochet edge. It was not deemed suitable for the exhibition BUT it has set me off in a new direction and I had thought I would only ever create with many, many colours and fibres and that I would use the intarsia method of knitting till I slip this mortal coil. Not so – I am learning so many more knitting techniques here in the Netherlands.

I think of that and wonder why that could be and the only conclusion I can come to is that in New Zealand there are many things happening around me and I am easily led from my work.

Here there is only me, this little house, my yarn, my best beloved is at work, I shop for groceries, walk the canals, watch the birds, ride my bike (not alone you understand – we go out on the bikes together), out on the polders and to the North sea, visit museums and galleries – there is really nothing to interfere with the creative process – so I am more creative.

I don’t know.

Shadow knitting – a technique of knitting alternating rows of dark and light yarn to produce a subtle patterning that appears and disappears depending on the angle from which it is viewed. The shadow knitting queen is Vivian Hoxbro.

WoolOn Press Release.

Now that put the pressure on. I was in New Zealand on holiday for a month thinking I had plenty of time – but as it happens I didn’t really have plenty of time. I started to knit the jacket in the Netherlands on my return on the 7th of August and had to complete it and post it by the 24th August – which I did – and then we were off on a 2 week trip to Denmark to spend time with my Danish family and to introduce John to Denmark.

My felting yarn was mostly New Zealand – Naturally Vero varigated 100% wool yarn with various artifical fibres and I created a huge jacket. Then I very nervously placed it in the washing machine and felted it.

It seems to have worked – the jacket for a giant became a jacket for a normal person and was then sent to New Zealand and arrived in time for the WoolOn event.

I knitted the jacket in garter stitch from cuff to cuff. It has wide almost kimono style sleeves and a V front with 2 buttons at mid chest.

The risky part was working out the ratio of natural wool (Naturally Vero mostly) to artifical fibres which would not felt. I did create a number of small rectangles of yarns – with the felting yarn mixed with the non felting yarns – to work out the shrinkage % and to see how the fur fibres sat next to the felted 100 % yarns. I am quite happy with the result of my first ever felted piece and will do more.

John did remind me a few times that it is not a good idea to create something for an exhibition where the technique has not been well practised first. HMMMM – maybe – but then maybe I would never try something new, would I? Spoilsport.