ConnieLene – KnitDesigner

I do not know the name of the model wearing my Great New Zealand Cloak – but it was a nice surprise to find this photograph today. I had followed an advertisement for the upcoming Italian “Vogue Knitting Italia 2010″ tour and explored and found this photograph from the 2007 tour which came to New Zealand & Australia. That tour was also hosted by Carla Scott and Nicky Epstein, and we were all delighted to meet them.

Vogue Knitter Tour member wearing The Great New Zealand Cloak

I am now on beret six – there is some minor madness when one keeps on playing with a piece. These have all been created using Vero yarn but in the different colours that I have here in the Netherlands.

I do miss my yarns that are still in New Zealand.

How can I miss yarn? I cannot even remember what was in my stash there – just that there were lots of yarns, in lots and lots of colours, from many different places in the world. But I do miss the variety in colour, yarn type, do not have sufficient variety here to create pieces as I was doing in New Zealand. I have purchased a lot of different yarns here in the Netherlands and some in Switzerland and in Denmark – I just do not have the quantity, colour range and yarn types here as I did have at home. It takes time to build up a new stash, doesn’t it?

What to do?

I don’t know.

So right now I am knitting berets.

Originally this was in response to a commission from a friend in Australia. But now I need to consider – do I continue with these? Do I complete the commission? Well yes that I must do, which means that beret 7 must be a funky, fuzzy, multicoloured piece. Then I must write up the pattern and then get back to that carbon footprint bag. Maybe I just put the two graphs out, one for the intarsia footprints and the other for carbon footprint using shadow knitting and leave you to decide – should it be on a bag, blanket, pram cover, cushion or on a sweater – should you happen to want a sweater with a foot print or two on it.

I guess that is what should be done.

The beret pattern – will include one in stocking stitch, and one felted from a stocking stitch knit. I won’t try to define the multicolour, multi fibre, intarsia one – that will be free form with little guidance.

I have lots of knitting to do

Mind you, I always have lots of exciting knitting to do. Today I have loaded videos of my grandson with messages to his grandad onto Youtube. These were too big to attach to an email, but they were too wonderful to ignore. We do not have such records from our own children, it is so good to have these of our grandson.

So now Grandad and Grandson can both see from opposite sides of the world – what Tomas had to say and show his Grandad.

While I was working on the videos – my delicious cream neck warmer, and one Vero beret are drying. The beret I should felt is waiting, and so is my new beret on the needles.

I need to add to etsy shops as well today. It is hard to keep up with Ravelry, Etsy, knitting, felting, blocking, patterns, carbon footprint, ball warmers, spherical objects world wide, my intarsia e-book, as well as a very special small person in New Zealand and writing Our story of two older persons doing their OE (Overseas Experience) at a rather late stage of their lives.

Then of course I still need to check the tree – to see if it still has its scarf. If it does, we will remove it this weekend – to allow it to grow and blossom over the spring and summer.

I will leave the scarf hanging on a lower branch – so if someone needs it they can take it.

The news about the balls is not good – see next post

This will be a great knitting day – I am discarding my Haarlem Ball Project, as without balls there can be no project (that is the news today)

It is a real pity because I was planning a Delft intarsia or fair isle piece, and an orange piece in preparation for Queens Day.

So back to real work today

Knitting, Designing, Colour, Yarn, Abstract ideas, Thinking, Ball Warmers.
Writing, Colour, Intarsia, E-book, Carbon Footprint, Beret’s, Intarsia Jacket, Pattern for Ravelry, Thinking,
Ball Warmers.

It is not as if I have nothing to do.

But HOW to create a Knitted piece to cover a Haarlem Ball – or other spherical object – that is the question?

You need to know the size of your sphere – ball. My first one was 150cm plus a handspan (my handspan).

I began with 8 stitches, increased to 320 stitches by increasing 8 times on every 4th round (more or less). I knitted this on a circular needle and circularly – entirely appropriate for a circular object.

I used 8 ply or double knit yarn on 4mm needles. The length from the top point to 320 stitches should be around 80cm. I have knitted the last of the top section of about 10 cm in k1p1 rib to help the cover to cling well. It is not a good look to have a baggy saggy ball warmer. There is a bit of give and take – because I didn’t knit this first half with only 8 ply (DK) yarns – I included mohair and faux fur fibres and some cotton yarns. So I needed to measure the piece for length as I knitted and adjust the increases and I will have to do the same when I do the decreases. SO this is not a formal pattern – this is a “suck it and see” piece of knitting.

Decreasing will be the increasing process in reverse – except that I will end up with around 32 stitches because the bottom half doesn’t present the full sphere to you as it is set in concrete. This half will still be created on a circular needle, but is not longer knitted circularly otherwise it will not fit over the ball. So back and forth from the centre down (more or less). I will knit the bottom half in garter stitch to assist it to join more easily – it is awkward to join the ball warmer together as I found with the first Haarlem Ball Warmer. I think I will use velcroe on this one – so that it can be joined more easily and removed more easily. It could then live another day as something else maybe.

There are lots of balls to alter however temporarily here in Haarlem, and also in Maastricht, so maybe they are everywhere in the Netherlands and I have received reports of very large balls in California.

I have had a really wild week.

It is has been freezing, snowing and my hands have really struggled with the activities we have carried out out in that cold wintery environment.

On Wednesday I was interviewed by Leandra and her team on Amsterdam English Breakfast Radio. That was a great experience, and the radio interview is also on video. (Radio with pictures – was a New Zealand TV programme many years ago).

We then tested a ball for size in a freezing Maastricht, and followed that with the ball dress rehearsal in Haarlem. Both of those freezing activities are on video. We are amateurs for sure, the commentary is bizarre – that is I didn’t realise it was recording the activity, let alone what we were saying. We will change it when we work out how. But in one wild wintery week I have been on video in three separate cities.

I do have to get away from these balls. My black formal ball warmer is progressing well – and I keep seeing ideas in my head for new ball pieces.

So I am not creating ball warmers anymore, that is until the next time

I am creating an intarsia piece with hairy “carbon footprint” design. This may well be my only ever graphed intarsia piece. I just don’t knit pictures.

I am a free form flowing kind of knitter, I just don’t like graphs. I know I can do it – but when I am surrounded by many yarns and many colours of yarns I really just want to play.

So I am going to work through the list below until I can play some more

1. Knit Carbon Footprint in intarsia

2. Complete Carbon Footprint – shadow knitting version

3. Knit 2 berets for a very dear friend – I have the yarns and I am playing with them – sorting, changing the colour order, thinking about what other colour or yarn type I could add.

4. Finish formal black ball warmer

then

colour

colour play

and then colour play some more

that is the plan

I am reorganising the galleries and I hope that if you like free form intarsia, and some more formal intarsia that you will enjoy viewing this gallery.

 

Options : With many yarns and colours of course

One beret created with faux fur fibres in gorgeous shades (to be decided on), with a plain wool knitted band. “A Crazy Soft Character top – and simple band”

The other should be a felted one in the wonderful turquoise, deep blue, purple delicious colour range with fancy bits included to make a dramatic statement. I don’t have a pattern for either – but will work from the two I have already created.

Remember many yarns and many colours

My brain (or is it my eyes), is seeing balls everywhere – so I have to concentrate on something sensible like my carbon footprint bag pattern and your two berets and I am glad that you like them both – and that you will go for colour explosions in both with the felted one in a variety of yarns in those rich purples, turquoises and blues.

This is a delightful way to design and then create a unique shawl as a gift or for yourself using only yarns from your stash. Sort through your yarns and find a group of colours that work together, by tone, or colour group, or contrast – whatever excites your eye when you lay them out together. The yarns should knit up at the same approximate gauge.

Select the needle required for the common weight of yarn. For example – Mainly 8 ply or double knit yarns – use a 4 or 4.5 mm needle.
It is generally not a good idea to use fine lace weight yarn unless you choose to use 2 or 3 strands knitted together to approximate the required weight and for the same reason don’t use bulky yarn if you are knitting mostly in double knit or 8 ply yarns. Having said that some yarns completely out of line with the whole can look very interesting and will not put your shawl out of shape as long as you are judicious about the amount you use and where you choose to include it. And I do do it all the time.

Take your yarns and lay them on the table in order of the quantity that you have – maybe 5 balls colour 1, 3 balls colour 2, 1 ball each of colour 3, 4, and 5, and oddments. Never never discard oddments.

Create a sequence for your yarn amounts like I have done for my listed yarn amounts – Col.1, Col.2, Col.3, oddments; Col.1, Col.2, Col.3, Col.4, oddments; Col.1, Col.2, Col.3, Col.4, Col.5, oddments and back to Col.1 and so on.

For my example I would knit 4 rows of Col.1 and 2 rows of Col.2, 1 row of Col.3, 4, & 5 and knit a row of any group of oddments. If you have lots of oddments – Knit 2 rows each time

Cast On 4 Stitches. Slip 1, K 1, YO k to end – on every row. Continue till it is the right size for you. The Cast off row can be a row of oddments or any of the colours still available at the end. There is more finishing if you use a group of yarns to Cast Off but then you are creating a unique piece.

Add a fringe if you wish.

You do not need as many skeins of each yarn as I have suggested – you can have all part skeins, or oddments, variegated yarns, faux fur – absolutely any yarns as long as they knit at about the same gauge. If you have 25 small amounts of yarn and several skeins of black or dark blue or purple or whatever – You can frame sections of many colours with the solid colour that you have a reasonable amount of. In this type of colour design work – what matters most is that the colours together please your eye. It is important to trust your instinct or response when looking at the colours together.

Go for it, knock ‘em dead with your design skills. It is fun.

Danish born, brought up in New Zealand and have been living in the Netherlands since Sept. 2008 because Best Beloved has work here at present.

I have been knitting since the mid 1950’s and began designing my own pieces in my early 20’s. These early designs related to the yarns I could purchase very cheaply from bargain bins and at end of the season – so there was not a big range to choose from for any piece. But buying yarns this way meant I became quite innovative in my colour and yarn use and very early discovered that the required yarn for any pattern is simply to force one to buy that specific yarn and is so absolutely untrue.

Designing and crafting has always been part of my life and I have created pieces using various skills including embroidery, basket weaving, marbling, tie dying fabrics, crocheting, knitting etc.

I love cooking and had an experience which will never be forgotten as a young teenager of 15/16 where I was one of 12 finalists in “Cook of the Year” a New Zealand recipe and cooking competition. This meant I had to be part of a bakeoff – where I cooked my own recipe (the one that I had put forward which placed me in the finals) and a recipe of one of the other finalists. Pretty scary as a young person and of course I drew the recipe of the ultimate winner to be created along with my own recipe.

My “real work” work from the end of the 1970’s was in library systems – first helping put the first library catalogue onto a computer system (data entry, form filling), then working with the Dynix Library System first at Auckland Public Library, then with Dynix itself as a library Support person eventually becoming Manager of Dynix New Zealand. In early 2000 I became the Library Systems Manager at Whangarei District Library where my most interesting project was establishing a Mobile Library Service for the Whangarei District – from buying and outfitting the bus, working out bus routes, and sorting out the technology as well as managing the library system itself.

Now I can barely manage my own computer – especially in this last 18 months with my computer in storage for the first 6 months and using Best Beloved’s work laptop when it was available. Once we were established here with our stuff in a house we did get mine out of storage and I lived and worked with blue screens and crashes for nearly 8 months. I have now replaced it and I do not like my very first laptop, and I hate office 2007 and I hate Vista so far.

I have created / designed many many more pieces than I now can remember and they have gone to many places in the world – from New Zealand to Denmark and England. Now that I have a digital camera – I still manage to complete pieces and not photograph them – but I really do try to photograph everything I create.

Craft / Art Experience:

1973/74 – Cook Street Market – Auckland. I designed and created knit and crochet garments for babies & children, hats & waistcoats of many colours for adults. One passion was multi coloured shawls which I knitted and crocheted. I did also create garments after tie dying the fabrics. I am a lousy sewer but did create hippy style shirts to sell at the market as well. I made many natural cane baskets – banished myself to the bathroom with a bathtub of soaking cane and sat there weaving. Loved the results, hated the process (that is sitting in a cold bathroom – I loved the weaving and creating), and it played havoc with my hands and back.

My mother and I did have a market stall at the Parnell markets where I sold machine knitted sweaters and received my first commisions for fair isle machine knitted sweaters and cardigans – when I had had the machine for only a week or two. Now that was a bit of a leap of faith on part of the purchaser – but it did work out in the end. The knitting machine didn’t last long as a passion as I like knitting whereever I am, in the car, at the dinner table, watching TV (depends on the piece being knitted), at friends and relatives homes everywhere). In fact the knitting machine never really became a passion at all.

1976/78 – Craft group in Titirangi, New Zealand – often at my home where we pooled our knowledge of knitting, crochet, basket weaving as well as the tie dying of fabrics – probably the first “stitch ‘n Bitch” group in New Zealand.

1982/3 – Craft group at Arahoe Primary School – Titirangi, New Zealand. I loved teaching the kids and they were open to trying anything so I did teach various crafts to them including crochet, basket weaving and creating string pictures and more.

1990 – Workshop “Marbling on fabric & paper” with Maxine Lovegrove – Auckland, New Zealand which helped develop my colour use in my beautiful pieces.

In the Netherlands I have added felting, shadow knitting, Hyperbolic planes, and now knitted graffiti to what I do. It is amazing how a new place can encourage you to extend yourself.

I am passionate about colour and texture and uses my knits to surprise and encourage in the wearer a confidence of expression. A confidence to wear the unusual and to enjoy how it feels and how the colours shift and adjust depending on the light of the day or space one is in. A confidence to wear magic – and it is magic.

I am delighted when someone is passionate about what I do.